Catálogo
| Emisor | Bishopric of Basel |
|---|---|
| Año | 1041-1055 |
| Tipo | Standard circulation coin |
| Valor | 1 Denier |
| Moneda | Pfennig (999-1122) |
| Composición | Silver |
| Peso | 0.6 g |
| Diámetro | |
| Grosor | |
| Forma | Round |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Michd Bâle#19 |
| Descripción del anverso | Stylised towers in fields. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | A HE Ƨ A I |
| Descripción del reverso | |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1041-1055) - - |
| ID de Numisquare | 6319455150 |
| Información adicional |
Historical Context: This Denier, issued by Theoderich, Bishop of Basel between 1041 and 1055, situates itself within the dynamic landscape of the Holy Roman Empire under the Salian emperors, notably Henry III. Bishops like Theoderich wielded significant temporal power, acting as crucial imperial vassals and administrators. The right to mint coinage, a vital regalian privilege, underscored Basel's strategic importance as an ecclesiastical center and a nexus of imperial influence in the Upper Rhine region during the mid-11th century, reflecting the bishop's dual spiritual and temporal authority.
Artistry: The design of this Denier reflects the prevailing proto-Romanesque aesthetic of the period, characterized by its stylized, often abstract representations rather than naturalistic depictions. While the specific engraver remains anonymous, typical for the era, the mint master would have overseen local artisans. Common motifs for Basel Deniers of this time include a prominent cross on one side, often a short cross or voided type, and a simplified bust of the bishop or a representation of a church or city gate, encircled by a legend identifying the issuer or mint.
Technical/Grading: Struck in silver and weighing a mere 0.6 grams, this Denier exemplifies the challenges of early medieval minting. High-points for wear would typically include the central elements of the cross or the raised features of any bust or architectural motif. Collectors often encounter irregular flans, off-center strikes, and areas of weakness due to insufficient striking pressure or worn dies. The diminutive size further contributes to variability in overall shape and planchet quality, demanding careful assessment of details for grading.