Denier - Theoderich

発行体 Bishopric of Basel
年号 1041-1055
種類 Standard circulation coin
額面 1 Denier
通貨 Pfennig (999-1122)
材質 Silver
重量 0.6 g
直径
厚さ
形状 Round
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 Michd Bâle#23
表面の説明 Stylised towers in fields around inscription.
表面の文字体系
表面の銘文 L E Ƨ ꓯ V I
裏面の説明
裏面の文字体系
裏面の銘文
鋳造所
鋳造数 ND (1041-1055) - -
Numisquare ID 5329762470
追加情報

Historical Context: This Denier, issued by Bishop Theoderich of Basel between 1041 and 1055, represents a crucial period in the consolidation of episcopal authority within the Holy Roman Empire. Theoderich's tenure coincided with the early Salian dynasty, an era where prince-bishops wielded significant secular power alongside their spiritual duties. The right to mint coinage, symbolized by this silver Denier, was a tangible assertion of Basel's growing economic autonomy and its strategic importance as an imperial city, reflecting the decentralized nature of power in the mid-11th century. This coin provides direct evidence of local economic sovereignty.

Artistry: The artistry of this Denier, typical for its era, reflects the pragmatic and symbolic aesthetic of early Romanesque coinage. While no specific engraver is identified, the dies were likely cut by an anonymous mint master operating under the bishop's authority. The design, referenced as Michd Bâle#23, would feature standard iconography such as a cross, possibly a stylized bust of the bishop or an imperial figure, and rudimentary legends. The style is characterized by its schematic representation rather than naturalism, emphasizing legibility and recognition of authority over detailed artistic expression, consistent with regional minting practices of the period.

Technical/Grading: Struck in silver and weighing approximately 0.6 grams, this Denier is a diminutive issue. Technical strike qualities are often variable; one can expect irregular flan shapes, often exhibiting planchet defects or incomplete circularity. Centering is frequently off, leading to partially visible legends or devices. High points, typically the central elements of the design (e.g., the arms of a cross or the highest relief of a bust), are prone to weakness or flatness due to insufficient striking pressure or worn dies. Full, sharp strikes are rare, and surface preservation often dictates grade more than initial strike quality.

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