Denier - Theoderich

発行体 Bishopric of Basel
年号 1041-1055
種類 Standard circulation coin
額面 1 Denier
通貨 Pfennig (999-1122)
材質 Silver
重量 0.6 g
直径
厚さ
形状 Round
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 Michd Bâle#16
表面の説明
表面の文字体系
表面の銘文 B Aᒧ ESA
裏面の説明
裏面の文字体系
裏面の銘文
鋳造所
鋳造数 ND (1041-1055) - -
Numisquare ID 4595071920
追加情報

Historical Context: This Denier, issued by the Bishopric of Basel between 1041 and 1055, represents a tangible assertion of temporal authority by Bishop Theoderich. His episcopate (1040-1059) coincided with a period when powerful prince-bishops within the Holy Roman Empire increasingly exercised regalian rights, including the crucial privilege of minting coinage. Basel, strategically positioned at the crossroads of imperial influence and burgeoning regional trade, benefited from its bishop's ability to issue currency. This Denier, a primary medium of exchange, facilitated local commerce and underscored the Bishopric's economic autonomy and political standing within the broader imperial framework.

Artistry: The anonymous engraver of this Denier worked within the nascent stylistic conventions of the early Romanesque period. The design, typical for 11th-century episcopal coinage, likely features a simplified central motif on the obverse, such as a cross potent or a highly stylized bust, symbolizing the bishop's spiritual and temporal power. The reverse would typically bear an inscription, a monogram representing Theoderich or the city, or a schematic depiction of a building. The artistry is characterized by its functional simplicity, reflecting the practical demands of coinage production in a regional mint rather than elaborate artistic expression, with details often rendered in a schematic and robust manner.

Technical/Grading: Struck on a small, thin silver flan weighing approximately 0.6 grams, this Denier exhibits technical qualities common to its era. High-points susceptible to wear typically include the central elements of the design, such as the arms of a cross, the highest relief points of any bust, or the central strokes of a monogram. The strike quality is often uneven, resulting in partial or weak legends and indistinct central devices, due to the manual striking process and irregular flan preparation. Off-center strikes are also frequently observed. The silver composition, while varying in purity, contributes to a characteristic patination that can enhance or obscure the surviving details.

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