Catalogus
| Uitgever | Bishopric of Basel |
|---|---|
| Jaar | 1041-1055 |
| Type | Standard circulation coin |
| Waarde | 1 Denier |
| Valuta | Pfennig (999-1122) |
| Samenstelling | Silver |
| Gewicht | 0.6 g |
| Diameter | |
| Dikte | |
| Vorm | Round |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Michd Bâle#25 |
| Beschrijving voorzijde | Two `X` in fields |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | ... E |
| Beschrijving keerzijde | |
| Schrift keerzijde | |
| Opschrift keerzijde | |
| Rand | |
| Muntplaats | |
| Oplage |
ND (1041-1055) - - |
| Numisquare-ID | 3650137420 |
| Aanvullende informatie |
Historical Context: This Denier, issued by the Bishopric of Basel (1041-1055), belongs to Bishop Theoderich's tenure. The mid-11th century Holy Roman Empire saw powerful ecclesiastical figures like Theoderich assert greater temporal authority. The right to mint coinage was a crucial indicator of this autonomy, solidifying the bishop's role as a regional magnate and fostering local economic stability. This coin therefore represents a tangible manifestation of episcopal power and Basel's burgeoning economic life within the imperial framework.
Artistry: The engraver of this Denier remains anonymous, typical for the period. Its design adheres to early medieval stylistic traditions, likely influenced by Ottonian aesthetics, characterized by schematic and symbolic rather than naturalistic representation. Deniers of this era commonly feature a prominent cross on one side, symbolizing the Church's dominion, often accompanied by an inscription or monogram on the reverse, denoting Bishop Theoderich's authority. Execution is generally robust but lacks refined detail, focusing on clear, simplified communication of power.
Technical/Grading: Struck on a diminutive silver flan weighing approximately 0.6 grams, this Denier exhibits technical qualities characteristic of 11th-century minting. High-points susceptible to wear or weak strike typically include the central elements of the cross and uppermost serifs of any lettering or monogram. Production often involved irregular flans and varying strike pressure, leading to off-center strikes and areas of softness or incompleteness. A well-centered strike with legible inscriptions and a clear cross, even if softly rendered, would be exceptional, reflecting medieval minting challenges.