Catálogo
| Emisor | Hevelli tribe |
|---|---|
| Año | 1127-1150 |
| Tipo | Standard circulation coin |
| Valor | 1 Denier |
| Moneda | Denier |
| Composición | Silver |
| Peso | 0.8 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Bahrf#1b |
| Descripción del anverso | Helmeted half figure with helmet standing on a building, holding a flag. To the left a cross. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | (H)ENRCI(VS) |
| Descripción del reverso | |
| Escritura del reverso | |
| Leyenda del reverso | (BR)AND(EB)VRC |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1127-1150) - - |
| ID de Numisquare | 2084299530 |
| Información adicional |
Historical Context: Pribislav-Henry, the last independent prince of the Hevelli (Stodorani) tribe, ruled from Brandenburg (Brenna) between 1127 and 1150. His reign was a critical period for the Polabian Slavs, caught between German expansion and Polish influence. Converting to Christianity, he aligned with Saxon margraves. This Denier, Bahrf#1b, symbolizes his authority and the Hevelli's final assertion of sovereignty before their integration into the Margraviate of Brandenburg, marking a pivotal moment in regional history.
Artistry: The artistry of this 0.8 gg silver Denier reflects pragmatic, localized minting common in 12th-century Polabia. The engraver is unknown, but the stylistic school is typical of early medieval Slavic coinage: simplified, almost abstract, with functional rather than ornate aesthetics. Designs commonly featured a rudimentary cross or abbreviated inscription. Lacking Western European sophistication, the execution possesses a raw vigor, indicative of a local artisan adapting established iconography to available resources, resulting in a distinct, provincial character.
Technical/Grading: The Denier of Pribislav-Henry (Bahrf#1b) typically exhibits characteristics of early hammered coinage. High-points prone to wear include central design elements like cross arms or outer lettering edges. Planchet quality is often irregular, varying in thickness and shape. Strikes are frequently off-center or weak, especially at the periphery, due to rudimentary minting. Consequently, an example with full, clear legends and distinct central motifs, despite these inherent production challenges, would be considered an exceptional specimen.