| Эмитент | Holy Roman Empire |
|---|---|
| Год | 983-995 |
| Тип | Standard circulation coin |
| Номинал | 1 Denier (Pfennig) |
| Валюта | Denier (843-1385) |
| Состав | Silver |
| Вес | |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Dann Sa#1167, Kluge Kar#47 |
| Описание аверса | Cross withe letter ODDO in quarters in a circle, legend around. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса |
ODDO +DI GRA + REX (Translation: Otto, king by God`s grace.) |
| Описание реверса | Temple in a circle, legend around. |
| Письменность реверса | Latin |
| Надписи реверса |
EILART (Translation: Adelaide.) |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (983-995) - - |
| ID Numisquare | 2114718690 |
| Дополнительная информация |
Historical Context: This Denier, issued between 983 and 995, originates from the Holy Roman Empire during the early reign of Emperor Otto III. Ascending the throne as a child, Otto III's initial years were marked by the regency of his mother Theophanu and grandmother Adelaide. This coin's period reflects the consolidation of Ottonian power and the enduring influence of Empress Adelaide, whose depiction within a temple-like structure on the reverse underscores her significant role and piety in imperial affairs. The mint signature EILART indicates its place of production within the decentralized imperial minting system.
Artistry: The design of this Denier exemplifies the Ottonian artistic style, characterized by its symbolic rather than naturalistic approach, blending late antique and Byzantine influences. While the specific engraver remains anonymous, typical features include a stylized bust of Otto III on the obverse, often depicted with imperial regalia. The reverse prominently displays Empress Adelaide within a columnar structure, representing a church or temple, a unique numismatic tribute to her status. The lettering is typically bold and somewhat irregular, consistent with early medieval die engraving techniques.
Technical/Grading: As a silver denier of the period, this coin typically exhibits a fabric characteristic of early medieval minting. High-points for wear or strike quality would include the emperor's facial features or crown, the architectural details of Adelaide's temple, and the legends. Strikes often vary, ranging from slightly off-center to well-centered, and can display areas of weakness, particularly on the outer legends or finer design elements. The planchets are generally of irregular shape and thickness, a common feature reflecting the hand-striking methods of the era.