| Эмитент | Olomouc, Duchy of |
|---|---|
| Год | 1061-1087 |
| Тип | Standard circulation coin |
| Номинал | 1 Denier (Denár) |
| Валюта | Denier (1054-1197) |
| Состав | Silver |
| Вес | |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | 1197 |
| Каталожные номера | Cach#375 |
| Описание аверса | |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса |
OTTO DVX (Translation: Duke Otto) |
| Описание реверса | |
| Письменность реверса | Latin |
| Надписи реверса |
WENCESLVS (Translation: Wenceslas) |
| Гурт | Smooth. |
| Монетный двор | |
| Тираж |
ND (1061-1087) - - |
| ID Numisquare | 2047340170 |
| Дополнительная информация |
Historical Context: This denier was issued by Otto I "the Handsome" of Olomouc, who ruled as Duke from 1061 to 1087. As the first independent duke of the Olomouc appanage, Otto I played a pivotal role in establishing a distinct branch of the Přemyslid dynasty in Moravia. His reign marked a period of increasing local autonomy within the broader Duchy of Bohemia, with Olomouc serving as a significant political and economic center. This coinage asserted his ducal authority and facilitated regional commerce during the late 11th century.
Artistry: The anonymous engraver of this denier worked within the nascent Early Romanesque stylistic school prevalent in Central Europe. The design typically features a simplified, frontal bust of Duke Otto, often crowned, symbolizing ducal authority. The reverse commonly displays a cross, frequently adorned with pellets or letters in the angles, or a stylized architectural element, reflecting Christian iconography and possibly local ecclesiastical influence. The artistic execution, while robust, prioritizes symbolic representation over intricate detail, characteristic of the era's numismatic art.
Technical/Grading: Struck on a broad, thin silver flan, this denier often exhibits the technical limitations of 11th-century minting. High-points for grading typically include the crown and facial features on the obverse, and the central elements of the cross or architectural design on the reverse. Strikes are frequently off-center, and weaknesses are common, particularly towards the edges, resulting in partial legends. Planchet irregularities and die wear are also prevalent. Despite these characteristics, well-centered examples with strong strikes on key design elements are highly sought by collectors.