| صادرکننده | Kraków, Duchy of |
|---|---|
| سال | 1194-1227 |
| نوع | Standard circulation coin |
| ارزش | Denarius (1) |
| واحد پول | Denier (1177-1305) |
| ترکیب | Silver |
| وزن | |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Kop#III |
| توضیحات روی سکه | |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1194-1227) - - |
| شناسه Numisquare | 1106414540 |
| اطلاعات تکمیلی |
Historical Context: This Denier, issued from the Kraków mint during the reign of Leszek the White (1194-1227), is a tangible artifact of Poland's fragmented Piast era. As Duke of Kraków, Leszek controlled the Seniorate Province, making this mint a vital instrument for asserting his authority and financing his incessant struggles against rival Piast dukes. The Denier, then the primary circulating denomination, underscores Kraków's economic significance and Leszek's efforts to stabilize his ducal power amidst a turbulent political landscape.
Artistry: The specific engraver remains anonymous, typical for the period. Stylistically, this Denier aligns with early Polish Romanesque numismatic traditions, characterized by highly stylized, often symbolic motifs rather than realistic portraiture. While specific designs for Kop#III vary, common elements include crosses, simplified architectural representations, or ducal monograms, accompanied by abbreviated Latin legends, often crudely rendered but conveying the issuer's name and mint. The artistry reflects pragmatic utility over elaborate aesthetics.
Technical/Grading: For this hammered Denier type (Kop#III), high-grade examples are exceedingly rare due to primitive minting techniques. Key grading points include the clarity and completeness of the central design, whether a cross or other symbol. Legibility of the abbreviated legends, particularly the ducal name and mint, significantly impacts grade, even if partially off-flan. A full, round flan is exceptional. Minimal wear on the highest points of the design and absence of significant planchet defects (cracks, laminations) are also critical determinants of condition.