Katalog
| İhraççı | Holy Roman Empire |
|---|---|
| Yıl | 1002-1024 |
| Tür | Standard circulation coin |
| Değer | 1 Denier (Pfennig) |
| Para birimi | Denier (843-1385) |
| Bileşim | Silver |
| Ağırlık | 1.1 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Dann Sa#462, Kluge Kar#55 |
| Ön yüz açıklaması | Crowned bust right. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı |
HEINRICVS REX (Translation: King Henry.) |
| Arka yüz açıklaması | Church with two towers. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı |
TRE VE RIS (Translation: Trier.) |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1002-1024) - - |
| Numisquare Kimliği | 2919964530 |
| Ek bilgiler |
Historical Context: This Denier, struck at the Trier mint between 1002 and 1024, originates from the reign of Henry II, the last Ottonian Holy Roman Emperor. Canonized as Saint Henry, his rule consolidated imperial power, fostering strong ties with the Church and strategically leveraging ecclesiastical principalities like Trier. This coinage underscores imperial authority and the economic significance of the archiepiscopal see, serving as a vital medium of exchange within the evolving early 11th-century Holy Roman Empire.
Artistry: The design reflects the stylistic conventions of early Romanesque or Ottonian numismatic art. While specific engravers are unnamed, the dies display a characteristic blend of symbolic representation and stylized forms over naturalism. Deniers from Henry II’s Trier mint commonly feature a central cross on one side, encircled by an imperial or religious inscription, and a stylized church facade or imperial bust on the reverse, signifying the minting authority and its patron.
Technical/Grading: Struck on a silver flan of approximately 1.1 grams, this Denier typically exhibits an irregular planchet, characteristic of early medieval coinage. High-points for detail retention include the central elements of the cross or the architectural features of a building, and any imperial crown. Strikes are often uneven, frequently off-center, and can show areas of weakness or double striking, typical of manual striking methods. Clarity of the peripheral legend varies considerably.