Katalog
| İhraççı | Holy Roman Empire |
|---|---|
| Yıl | 1002-1024 |
| Tür | Standard circulation coin |
| Değer | 1 Denier (Pfennig) |
| Para birimi | Denier (843-1385) |
| Bileşim | Silver |
| Ağırlık | 1.24 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Dann Sa#262, Kluge Kar#56 |
| Ön yüz açıklaması | Bust facing right, legend around. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı |
HEINRICVS (Translation: Henry.) |
| Arka yüz açıklaması | Beaded hollow cross with legend in quarters. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı |
TVINVM (Translation: Thuin.) |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1002-1024) - - |
| Numisquare Kimliği | 4129606750 |
| Ek bilgiler |
Historical Context: This Denier, struck at the Thuin mint (1002-1024), originates from Henry II's reign, the last Ottonian Holy Roman Emperor. His rule focused on consolidating imperial authority and defining relations with the Church. The Thuin mint, strategically located in the Meuse region, operated under imperial license, often linked to the Prince-Bishopric of Liège. This coinage was a crucial instrument of imperial fiscal policy and a tangible symbol of Henry II's suzerainty in the Low Countries, reflecting the era's complex power dynamics.
Artistry: Typical of early 11th-century Ottonian numismatic production, this denier’s artistry is characterized by a robust, functional aesthetic over classical refinement. Engravers remain anonymous, but the stylistic school emphasized clear, albeit sometimes crude, symbolic representation. Common designs feature a prominent cross, symbolizing Christian authority, and a stylized imperial monogram, bust, or temple facade on the other, surrounded by the emperor's name and mint attribution. Design prioritizes legibility of imperial and minting legends.
Technical/Grading: The technical quality of this Denier, weighing 1.24 grams of silver, is characteristic of early medieval minting. Flans are often irregular in shape and thickness; strikes can be off-center, leading to incomplete legends or partial designs. High-points for wear typically include central cross elements or raised features of a bust or monogram, prone to flattening. A well-preserved example exhibits strong, centered strikes with clear legends, though such perfection is rare given the period's production methods.