| Issuer | Reims, Archbishopric of |
|---|---|
| Year | 1204-1206 |
| Type | Standard circulation coin |
| Value | 1 Denier (1⁄240) |
| Currency | Denier |
| Composition | Silver |
| Weight | 1.12 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | PA#6077 |
| Obverse description | Name in two lines. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
GVIDONIS ✠ ARCHIEPISCOPVS (Translation: Archbishop Guy.) |
| Reverse description | Cross confined to the 1st and 4th of a crescent, to the 2nd and 3rd of a lily. |
| Reverse script | Latin |
| Reverse lettering |
X REMIS CIVITAS (Translation: City of Reims.) |
| Edge | |
| Mint | |
| Mintage |
ND (1204-1206) - - |
| Numisquare ID | 1235345990 |
| Additional information |
Historical Context: This Denier, issued by Guy II as Archbishop of Reims (1204-1206), encapsulates a pivotal moment in French ecclesiastical and temporal power. Guy II served during King Philip II Augustus's reign, a period of Capetian monarchical consolidation. Archbishops of Reims retained substantial feudal rights, including minting privilege. This issue underscores archiepiscopal autonomy and economic authority, distinct from royal emissions, yet operating within feudal France, where Reims held immense prestige as the traditional site for royal coronations.
Artistry: The engraver remains anonymous, typical for medieval coinage. Stylistically, it belongs to the late Romanesque-early Gothic transition, characterized by symbolic, not naturalistic, representation. Reims Deniers from this era typically feature a central cross pattee, often with pellets or annulets, on the obverse. The reverse commonly displays a stylized depiction of Archbishop's authority, such as a monogram (e.g., 'REMIS') or a simplified head (e.g., Saint Remi), encircled by the legend 'GVY ARCHIEP' or similar titulature, affirming the issuer's authority.
Technical/Grading: Struck in silver, this Denier weighs 1.12 grams, consistent with period monetary standards. High-points for grading include the cross's center, any central monogram or bust, and the legends' outer edges. Medieval striking techniques often yielded variable quality; technical issues frequently include off-center strikes, weak areas from insufficient pressure, and irregular flans. Planchet fabric, roundness, and double striking evidence are crucial indicators of technical quality, reflecting the manual production methods of the early 13th