カタログ
| 発行体 | Venice, Republic of |
|---|---|
| 年号 | 1192-1205 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denier (1⁄240) |
| 通貨 | Lira (1156-1471) |
| 材質 | Billon (.250 silver) |
| 重量 | 0.3 g |
| 直径 | 13 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered (bowled denaro) |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | CNI VII#19-21, Gamberini#15, Paol#2, Biaggi#18, Pap#2-4 |
| 表面の説明 | Pateé cross in a circle. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | + ENRIC` • DVX |
| 裏面の説明 | Pateé cross in a circle. |
| 裏面の文字体系 | |
| 裏面の銘文 | + S MARCVS |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1192-1205) - - |
| Numisquare ID | 1781978600 |
| 追加情報 |
Historical Context: This billon denier was issued during Enrico Dandolo's pivotal reign as Doge of Venice (1192-1205). His era marked Venice's ascendance as a dominant maritime and commercial power, notably through the Fourth Crusade and the Sack of Constantinople (1204), which profoundly expanded Venetian influence. This small denomination coin was vital for daily transactions, facilitating trade and symbolizing the Republic's growing economic autonomy and its strategic adoption of Western European coinage standards.
Artistry: The artistry reflects the early Medieval Venetian numismatic style, characterized by functional simplicity. The engraver remains anonymous, typical for the period. The obverse typically features a central cross, often with pellets or stars, encircled by the Doge's name, "HENRICUS DANDOLO DUX". The reverse depicts Saint Mark, Venice's patron, holding the Gospel, with the legend "S. MARCUS" or "VENETI". The design prioritizes clear authority and religious symbolism over naturalistic representation, constrained by the small flan and billon alloy.
Technical/Grading: Given its modest specifications—0.3 grams, 13 millimeters, and .250 billon—this denier's technical strike qualities are often variable. High-points susceptible to wear include the cross center and lettering on the obverse, and Saint Mark's head, halo, and Gospel book on the reverse. Strikes are frequently weak, especially at the periphery, leading to incomplete legends. Centering can be off-flan, and planchets are typically irregular. Full, sharp strikes are rare, making well-preserved examples with strong details highly prized.