目录
| 发行方 | Frisia |
|---|---|
| 年份 | 1057-1068 |
| 类型 | Standard circulation coin |
| 面值 | 1 Penning |
| 货币 | Denier (843-1385) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | One-line caption between two beaded lines, surrounded by the inscription. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | MOTA ECBERTVS |
| 背面描述 | Cross patté cantoned by four bezants within a grenetis, legend all around. |
| 背面文字 | Latin |
| 背面铭文 | ✠ BODLINWE |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1057-1068) - - |
| Numisquare 编号 | 1144317020 |
| 附加信息 |
Historical Context: This Denier was issued under Egbert I, Margrave of Meissen and Count of Brunswick, during his tenure in Frisia between 1057 and 1068. Egbert, a powerful magnate of the Salian dynasty, was granted authority over parts of Frisia by Emperor Henry III, a claim later reaffirmed by Henry IV. His coinage from Bolsward, a key Frisian settlement, represents a tangible assertion of comital sovereignty and economic control in a region often resistant to external rule. This period was characterized by significant political fragmentation and the gradual decentralization of power within the Holy Roman Empire, making such local mintages crucial indicators of regional autonomy.
Artistry: The artistic execution of this Denier reflects the prevailing numismatic style of the mid-11th century in Northern Europe, influenced by Ottonian and early Salian aesthetics. While specific engravers are unrecorded, the design likely emerged from a local mint workshop in Bolsward. The obverse typically features a stylized, often crude, bust of the ruler, facing right or left, sometimes adorned with a crown. The reverse commonly displays a cross potent or a simple cross, frequently accompanied by pellets in the angles or a surrounding legend. The overall design is symbolic and functional, prioritizing the identification of authority and mint over naturalistic representation.
Technical/Grading: Deniers of this era are typically struck on broad, thin silver flans, often exhibiting irregular shapes and varying thickness. High-points for wear or strike quality would include the central features of the bust (nose, crown) on the obverse and the intersection of the cross arms on the reverse. Due to the rudimentary striking methods of the period, technical qualities are often inconsistent; strikes are frequently off-center, leading to partial legends or design elements. Flat areas are common, resulting from worn dies or insufficient striking pressure. Planchet defects such as laminations or cracks are also characteristic, impacting overall preservation and grade.