目录
| 发行方 | Utrecht, Bishopric of |
|---|---|
| 年份 | 1076-1099 |
| 类型 | Standard circulation coin |
| 面值 | Penning (denarius) (1/8) |
| 货币 | Groot (1024-1528) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Kluge Kar#387 |
| 正面描述 | Bust facing, holding crozier and cross-tipped staff. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
✠ CONRADVS EI (Translation: Bishop Conrad) |
| 背面描述 | Building with three towers. |
| 背面文字 | Latin |
| 背面铭文 |
✠ TRAIECTVM (Translation: Utrecht) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1076-1099) - - |
| Numisquare 编号 | 5860704770 |
| 附加信息 |
Historical Context: This Denier was issued by Conrad of Utrecht, who served as Bishop from 1076 to 1099. His episcopate occurred during the tumultuous Investiture Controversy, a major power struggle between the Holy Roman Emperor Henry IV and the Papacy. Conrad was a staunch imperial loyalist, and his coinage underscores the significant secular authority wielded by the Prince-Bishops of Utrecht within the Empire. These issues served both economic functions and as declarations of his sovereign rights and imperial allegiance.
Artistry: The coin features a facing bust of Bishop Conrad on the obverse, a common motif for the period. While the engraver remains anonymous, the stylistic school aligns with early Romanesque or late Ottonian influences, characterized by stylized, abstract rendering. The bust is typically simplified, with linear details, reflecting the artistic conventions of 11th-century Northern European mints. The reverse likely displays a cross or a simplified architectural element, characteristic of episcopal coinage from Utrecht.
Technical/Grading: As with many medieval deniers, strike quality can vary considerably. High-points for wear or strike weakness on the obverse would typically be the nose, eyes, and the top of the mitre or head. The flan is often irregular in shape and thickness, and strikes can be off-center or show inconsistent pressure, leading to partial legends or designs. Planchet preparation and striking techniques often result in weakness or double striking, particularly on legends and finer details.