| Emittent | Greater Poland, Duchy of |
|---|---|
| Jahr | 1202-1238 |
| Typ | Standard circulation coin |
| Nennwert | 1 Denier (2) |
| Währung | Denier (1138-1303) |
| Material | Silver |
| Gewicht | |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered (bracteate) |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Kop#147 |
| Aversbeschreibung | |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1202-1238) - - |
| Numisquare-ID | 1519882350 |
| Zusätzliche Informationen |
Historical Context: This Denier Bracteate, referenced as Kop#147, hails from the Duchy of Greater Poland during the tumultuous period of Polish fragmentation. Issued between 1202 and 1238, its attribution oscillates between Wladyslaw III Spindleshanks and Wladyslaw Odonic, both powerful Piast dukes who held sway over Greater Poland and its crucial mint at Gniezno. This coin serves as a tangible record of regional economic autonomy and the shifting power dynamics among the Piast princes in early 13th-century Poland, underscoring the importance of Gniezno as a center of ducal power and commerce.
Artistry: The artistry of this Gniezno bracteate reflects the pragmatic yet symbolic conventions of medieval Polish minting. While specific engravers remain anonymous, the stylistic school leans towards a simplified Romanesque tradition, often incorporating a stylized ducal bust or head, or religious motifs such as a cross. The single-sided nature of bracteates necessitated a clear, impactful central image, often surrounded by a rudimentary legend or decorative elements, emphasizing the issuer's authority through direct visual communication rather than intricate detail.
Technical/Grading: As a bracteate, this coin was struck on a thin silver flan, resulting in a characteristic incuse impression on the reverse. High-points for wear and strike weakness typically include the central features, such as the ducal bust's facial details or crown, and any surrounding legend. Due to the striking process, off-centering, planchet irregularities, and variable strike pressure are common, making examples with a full, well-centered strike and clear details particularly desirable for collectors and scholars alike.