Catalogus
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| Uitgever | Archbishopric of Magdeburg |
|---|---|
| Jaar | 1152-1170 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Silver |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Magdeburg |
| Oplage | ND (1152-1170) |
| Aanvullende informatie |
Wichmann of Seeburg served as Archbishop of Magdeburg from 1152 to 1192, and his tenure coincided with the aggressive eastward expansion of German settlement across the Elbe — a political and economic surge that made Magdeburg one of the most consequential minting authorities in the empire. The bracteate format, then dominant across northern and central Germany, allowed thin silver flans to be struck from a single die, producing the characteristic mirror-image ghost impression on the reverse.
The "Moritzpfennig" designation references St. Maurice, patron of the Magdeburg archdiocese, whose cult was central to the see's identity since Otto I deposited relics there in the tenth century.