Katalog
| Emitent | Riga, Archbishopric of |
|---|---|
| Rok | 1198-1253 |
| Typ | Standard circulation coin |
| Nominał | 1 Hohlpfennig |
| Waluta | Denier (1186-1255) |
| Skład | Billon |
| Waga | 0.13 g |
| Średnica | 14 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered (bracteate) |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | Haljak II#737 |
| Opis awersu | Face between cross and lumpy star with three dots above. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Uniface (brakteat). |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | Smooth. |
| Mennica | |
| Nakład |
ND (1198-1253) - - |
| ID Numisquare | 3630374050 |
| Dodatkowe informacje |
Historical Context: This Denier Bracteate was issued by the Archbishopric of Riga during a pivotal period (1198-1253) encompassing Archbishop Albert (1199-1229), founder of Riga, and his successors, including Nikolaus von Nauen. It represents the nascent monetary authority of the ecclesiastical state established during the Livonian Crusade. The coin facilitated local trade and symbolized Riga's growing power and independence as a significant religious and economic center in the Baltic, reflecting decentralized coinage trends.
Artistry: The engraver of this bracteate remains anonymous, typical for medieval coinage. Stylistically, it aligns with early Gothic or late Romanesque traditions prevalent in Northern European ecclesiastical mints. The design, characterized by "Three dots," likely features a central ecclesiastical symbol such as a cross or a bishop's mitre, possibly with three pellets representing the Trinity or an archiepiscopal mark. Bracteates, being single-sided and struck on thin flans, prioritize symbolic clarity over intricate detail, making the central motif the primary artistic focus.
Technical/Grading: Struck in billon, this 0.13 gram, 14 mm bracteate is inherently delicate. High-points for assessment include the crispness of the "Three dots" and the central ecclesiastical emblem, often the first areas to show weakness or wear. Due to the single-die striking method on a thin flan, examples commonly exhibit technical strike qualities such as off-center impressions, flan irregularities, or minor splits. A well-preserved specimen displays a clear, centered strike with the full design visible and minimal creasing or damage to the thin metal.