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Denier Bracteate - Adolphus III

Uitgever County of Holstein-Schaumburg
Jaar 1189-1201
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Berger#198, Bonh#57
Beschrijving voorzijde Schematic depiction of a Romanesque cathedral façade rendered in low relief, centrally positioned within a beaded inner circle. The architectural composition features a prominent central tower surmounted by a crenellated or turreted crown finial, flanked by two smaller lateral towers or turrets. Below the main structure, a horizontal string course separates the upper elevation from a lower arcade of four rounded arches, evoking the nave or crypt of the building. The entire design is contained within a double linear border, characteristic of North German bracteate coinage of the late 12th century. The field outside the inner circle and within the outer beaded rim bears traces of a partially legible legend.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Plain
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Adolphus III of Holstein-Schaumburg spent much of his reign entangled in the collapse of Henrican power in northern Germany following Henry the Lion's final exile in 1180, a political vacuum that allowed minor counts to assert independent minting rights with unusual confidence. The bracteate format — a single-sided uniface struck on a thin flan — was the dominant small denomination technology across the Saxon and Lower Rhenish mints in this period, not an aesthetic choice but a practical one driven by the shallow relief achievable on such light silver.

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