Каталог
| Эмитент | Kingdom of Poland |
|---|---|
| Год | 1000-1025 |
| Тип | Standard circulation coin |
| Номинал | 1 Denier |
| Валюта | Denier (992-1306) |
| Состав | Silver |
| Вес | |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Kop#20 |
| Описание аверса | |
|---|---|
| Письменность аверса | |
| Надписи аверса | BOLIZLAVS DVX |
| Описание реверса | |
| Письменность реверса | |
| Надписи реверса | INCLITVS |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1000-1025) - - |
| ID Numisquare | 2193993200 |
| Дополнительная информация |
Historical Context: This Denier, attributed to Boleslaus I the Brave (Bolesław Chrobry), dates from the crucial period of Poland's state formation (1000-1025). Boleslaus, Duke from 992 and crowned King in 1025, was a pivotal figure who consolidated the nascent Polish realm, expanded its territories, and secured its ecclesiastical independence, notably after the Congress of Gniezno in 1000. The issuance of coinage under his authority served as a powerful declaration of sovereignty and a tool for economic integration in a rapidly developing Central European landscape.
Artistry: While specific engravers remain anonymous, the artistic style of Boleslaus I's deniers reflects early medieval European numismatic traditions, often showing influences from Ottonian Germany. Designs are typically symbolic and less naturalistic, frequently featuring stylized crosses, sometimes with pellets or annulets, or rudimentary depictions of a ruler's bust or a temple-like structure. Legends, when present, are often abbreviated, blundered, or retrograde, indicative of nascent minting practices rather than a sophisticated artistic school.
Technical/Grading: These early silver deniers were typically struck on irregular flans, leading to common broadstrikes and off-center alignments. High points, such as the center of a cross or the facial features of a bust, are frequently weakly struck due to uneven pressure from early hammer dies. The quality of the strike can vary significantly, often resulting in incomplete legends or partial designs. Metal purity is generally good for the period, but planchet imperfections are not uncommon, impacting overall preservation.