カタログ
| 発行体 | Utrecht, Bishopric of |
|---|---|
| 年号 | 1046-1054 |
| 種類 | Standard circulation coin |
| 額面 | Penning (denarius) (1/8) |
| 通貨 | Groot (1024-1528) |
| 材質 | Silver |
| 重量 | 1.1 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Dann Sa#569, Ilisch NL1#1.19 |
| 表面の説明 | Facade of church. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
✠ DAVENTR... (Translation: Deventer) |
| 裏面の説明 | Short cross pattee with pellet in each angle. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
✠ BERNOVDVS ES (Translation: Bishop Bernold) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1046-1054) - - |
| Numisquare ID | 1822979830 |
| 追加情報 |
Historical Context: This Denier was issued by the Bishopric of Utrecht during the episcopate of Bernold (1027-1054), specifically between 1046 and 1054. Bishop Bernold was a key figure in the Holy Roman Empire, a loyal supporter of the Salian emperors Conrad II and Henry III. His extensive temporal power included significant minting rights, and this coin from Deventer underscores the bishopric's economic autonomy and strategic importance in the Low Countries. It represents a period of consolidation and expansion for Utrecht under imperial favor.
Artistry: Typical of early medieval coinage, the engraver remains anonymous, reflecting the functional rather than purely artistic nature of currency production. The design adheres to the prevailing Ottonian-Salian stylistic school, characterized by its symbolic rather than naturalistic representation. Deniers of this era commonly feature a central cross on one side, often with pellets or wedges, encircled by the bishop’s name, and on the reverse, the mint name, in this case, Deventer. The overall aesthetic is one of robust simplicity, prioritizing legibility and authoritative symbolism.
Technical/Grading: Struck on a relatively thin silver flan weighing approximately 1.1 grams, this Denier exhibits characteristics common to 11th-century issues. High-points for this type would typically include the center and extremities of the cross, as well as the raised elements of the surrounding legends. Strike quality can vary, often showing some degree of weakness in peripheral legends or slight off-centering due to the manual striking process. Planchets might be irregular in shape, but the overall fabric is consistent with contemporary episcopal mintages.