カタログ
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A tetrastyle temple or church façade, depicted in a schematic architectural style with a triangular pediment surmounted by a small cross, supported by four columns framing a central portal or arcade. A cross is prominently displayed at the center of the structure. The surrounding legend, BRVGIA SCI DONA, references the city of Bruges and its patron Saint Donatian, whose collegiate church served as the principal ecclesiastical authority in the county. The overall design reflects the Ottonian architectural coin iconography prevalent in northern European feudal deniers of the period. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
This denier belongs to a prolonged and historically murky joint attribution covering nearly eight decades of Flemish comital coinage — a span that includes Baldwin IV's aggressive territorial expansion southward into imperial Hainaut and his son Baldwin V's consolidation of those gains through strategic marriages and regency over the young French king Philip I. The Bruges mint was the commercial heart of the county, positioned on trade routes feeding the North Sea cloth economy.
Distinguishing Baldwin IV issues from Baldwin V within this type remains a problem the Ilisch classification only partially resolves.