目录
| 发行方 | Abbey Saint Trudo (Belgian States) |
|---|---|
| 年份 | 1055-1065 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | Denier |
| 材质 | Silver |
| 重量 | 0.92 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Dann Sa#– |
| 正面描述 | Bust left. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
+ S TRVDO (Translation: Saint Trond) |
| 背面描述 | Saint Stephen, neeling right with hands raised in prayer. |
| 背面文字 | Latin |
| 背面铭文 |
S STEPh (Translation: Saint Stephen) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1055-1065) - - |
| Numisquare 编号 | 5734713230 |
| 附加信息 |
Historical Context: This Denier, issued by the Abbey Saint Trudo (Sint-Truiden) between 1055 and 1065, exemplifies ecclesiastical coinage during the High Middle Ages. A powerful Benedictine institution in modern Belgium, within the Holy Roman Empire, the abbey held imperial minting privileges. This right underscored its significant economic autonomy and local political authority. The period, spanning Emperors Henry III and IV, saw monastic mints crucial for regional commerce and the evolving power dynamics between secular and ecclesiastical lords.
Artistry: The design, featuring an anonymous Saint Stephen reverse, adheres to 11th-century Romanesque artistic conventions. While the engraver is unknown, the stylistic school emphasized symbolic representation over naturalistic detail. The obverse typically presented a simplified bust, cross, or abbey name, while the reverse depicted Saint Stephen, often as a standing figure with attributes of his martyrdom. Inscriptions, usually in abbreviated Latin, would identify the mint or patron saint, reflecting the functional and devotional aspects of early medieval coinage.
Technical/Grading: Struck in silver and weighing 0.92 grams, this Denier was produced using rudimentary hammer striking, resulting in considerable variability. Typical characteristics include irregular, often thin flans, and strike quality ranging from weak to moderately strong. High-points for wear or weakness are commonly observed on central design features, such as Saint Stephen's face or the obverse cross. Legends are frequently incomplete due to off-center strikes or insufficient pressure. The absence of a specified diameter is typical for issues of this period, where flan preparation was less precise.