Catálogo
| Emissor | Bishopric of Basel |
|---|---|
| Ano | 1160-1180 |
| Tipo | Standard circulation coin |
| Valor | 1 Pfennig |
| Moeda | Pfennig (999-1122) |
| Composição | Silver |
| Peso | 0.44 g |
| Diâmetro | |
| Espessura | |
| Formato | Round with 4 pinches |
| Técnica | |
| Orientação | |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | HMZ 1#202 |
| Descrição do anverso | 6-spoked wheel, dots surrounding. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Cross with ball-ends, stars in angles. |
| Escrita do reverso | |
| Legenda do reverso | |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (1160-1180) - - |
| ID Numisquare | 1507817430 |
| Informações adicionais |
Historical Context: The Denier, Anonymous, issued by the Bishopric of Basel (1160-1180), represents a crucial period in the High Middle Ages. Prince-Bishops wielded significant temporal and spiritual authority within the Holy Roman Empire. Basel, a vital imperial city, saw its Bishop hold regalian rights, including coinage. This silver denier underscores the Bishopric's economic autonomy and political power, reflecting its role as a regional administrative and commercial hub.
Artistry: Given the engraver’s anonymity, the coin’s artistry reflects the prevailing Romanesque numismatic style of the 12th century. This aesthetic features simplified, schematic representations, not naturalistic detail. Deniers typically present a stylized bust, often the Bishop or a patron saint, on one side, and a cross or architectural element on the reverse, surrounded by an abbreviated legend identifying authority or mint. The small flan size inherently limited design complexity, prioritizing symbolic clarity.
Technical/Grading: Weighing a mere 0.44 grams, this silver denier was struck on a thin, often irregular flan, common for the period. High-points for preservation include central design elements: the face of a bust, the central boss of a cross, or an architectural apex. Due to manual striking and small module, examples often exhibit weak or off-center strikes, resulting in partial legends or incomplete motifs. A well-centered strike with full legends and clear central details would be exceptional.