Catalogus
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| Uitgever | Archbishopric of Vienne |
|---|---|
| Jaar | 1100-1150 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Livre |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Vienne |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Vienne was among the most assertive ecclesiastical mints in the Burgundian corridor, and its archbishops exercised comital rights over coinage that secular lords in the region spent generations trying to claw back. The anonymous denier series — attributable to the archbishopric precisely because no archbishop chose to name himself on it — reflects a mint operating under collective institutional authority rather than individual prelate ambition, a posture that suited Vienne's political situation during the long jurisdictional disputes of the early twelfth century.
Poey d'Avant's reference places this squarely in a well-documented but internally varied series; die alignment and fabric inconsistencies across surviving examples suggest intermittent production rather than a sustained mint operation.