Catalogo
| Emittente | Bishopric of Basel |
|---|---|
| Anno | 1025-1040 |
| Tipo | Standard circulation coin |
| Valore | 1 Denier |
| Valuta | Pfennig (999-1122) |
| Composizione | Silver |
| Peso | |
| Diametro | |
| Spessore | |
| Forma | Round |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | HMZ 1#191F |
| Descrizione del dritto | Stylised church with vault. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | BASILEA CIVI |
| Descrizione del rovescio | Cross with pellets in quarters. |
| Scrittura del rovescio | |
| Legenda del rovescio | ... E + |
| Bordo | |
| Zecca | |
| Tiratura |
ND (1025-1040) - - |
| ID Numisquare | 2071476450 |
| Informazioni aggiuntive |
Historical Context: This Denier was issued under Adalrich II, Bishop of Basel (1025-1040), during the High Middle Ages. This era saw the Holy Roman Empire consolidating under the Salian dynasty. Basel, a strategically vital imperial and ecclesiastical center on the Rhine, grew in prominence. Adalrich II, like many prince-bishops, held significant secular power, including the crucial right to mint coinage, affirming his authority and the economic autonomy of his see.
Artistry: The anonymous engraver of this Denier worked within the nascent Early Romanesque stylistic school, transitioning from Ottonian influences. Coinage of this era often displays a robust, albeit sometimes crude, aesthetic. Typical designs for Basel Deniers of this period feature a prominent cross on one side, often with pellets or symbols in the angles, and a simplified bust of the bishop or an architectural representation on the other. Execution is generally direct, emphasizing symbolic representation over naturalistic detail.
Technical/Grading: Characteristic of early medieval coinage, this Denier would typically exhibit an irregular flan and often an off-center or weak strike, particularly at the edges. High-points susceptible to wear include the central elements of the cross, any facial features on a bust, or the uppermost details of an architectural design. Silver purity could vary, and planchet preparation was rudimentary, leading to minor surface imperfections. Grading prioritizes legibility of legends and clarity of primary design elements, despite common production flaws.