Katalog
| İhraççı | City of Geneva |
|---|---|
| Yıl | 1535-1539 |
| Tür | Standard circulation coin |
| Değer | 1 Denier (1⁄1152) |
| Para birimi | Thaler (1535-1792) |
| Bileşim | Billon |
| Ağırlık | 0.52 g |
| Çap | 15 mm |
| Kalınlık | |
| Şekil | Round |
| Teknik | |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HMZ 1#2-307 |
| Ön yüz açıklaması | Arms within beaded circle. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | GENEVA · CIVITAS |
| Arka yüz açıklaması | Cross within beaded circle. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | POST · TENEBRAS · LVX · G · |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1535-1539) B - 2-307b: ...LVX... - ND (1535-1539) G - 2-307a: ...LVCE... - ND (1535-1539) G - 2-307c: ...LVX... - |
| Numisquare Kimliği | 2794897650 |
| Ek bilgiler |
Historical Context: This Denier was issued by the City of Geneva between 1535 and 1539, a pivotal period marking Geneva's assertion of independence from the Duchy of Savoy and its bishop. This era witnessed the full embrace of the Protestant Reformation, with John Calvin arriving in 1536. The issuance of its own coinage, even low-denomination billon, underscored Geneva's burgeoning sovereignty and its transformation into a self-governing, reformed city-state, laying foundations for its future as a center of Protestant thought.
Artistry: The engraver for this specific Denier remains unrecorded, characteristic of many municipal billon issues of the time. Stylistically, the coin reflects a utilitarian approach common to late Gothic numismatic art, with little overt Renaissance influence given its low value and functional purpose. The design typically features a simple cross on the obverse, often with pellets or initials in the angles, and the city's iconic arms—a crowned eagle above a key—on the reverse, symbolizing Geneva's civic authority and religious independence.
Technical/Grading: Struck in billon on a small (15 mm), thin planchet, this Denier often exhibits typical manufacturing crudities of the era. High-points susceptible to wear include the center of the cross, the eagle's head and wings, and the bow of the key. Technical strike quality is frequently inconsistent; off-center strikes, irregular flan shapes, and variable pressure are common. The billon alloy is prone to surface oxidation and degradation, making well-preserved examples with full details and sharp legends particularly desirable.