Danh mục
| Đơn vị phát hành | City of Geneva |
|---|---|
| Năm | 1101-1200 |
| Loại | Standard circulation coin |
| Mệnh giá | |
| Tiền tệ | Denier (1019-1359) |
| Chất liệu | Silver |
| Trọng lượng | 1.61 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo |
| Mô tả mặt trước | Head of St. Peter left. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | ✠ SCS PETRVS |
| Mô tả mặt sau | Cross with squares in angles. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | ✠ GENEVA CIVITAS |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1101-1200) - - |
| ID Numisquare | 5962570990 |
| Thông tin bổ sung |
Historical Context: This silver Denier, issued by the City of Geneva between 1101 and 1200, marks a pivotal era. Nominally under the Holy Roman Empire, Geneva's temporal power was contested between its Prince-Bishops and the Counts. The coin’s issuance signifies the city's growing economic autonomy and commercial vitality, serving as the primary medium of exchange. It reflects an evolving political landscape where urban centers, despite episcopal authority, asserted increasing influence and developed distinct civic identities.
Artistry: Characteristic of early medieval European coinage, this Denier's design typically features a bold cross on the obverse, often a cross pattée, symbolizing Christian authority. The reverse commonly displays a stylized monogram for Geneva (e.g., 'GE') or an identifying symbol related to the issuing Bishop, like a mitre, rendered in a schematic, Romanesque style. Engravers remain anonymous, their work prioritizing clear legibility and symbolic representation over intricate detail, reflecting 12th-century numismatic art's functional aesthetics.
Technical/Grading: Struck on a 1.61 gram silver flan, this Denier exhibits technical qualities typical of medieval minting. High-points susceptible to wear include the cross's center and central elements of any reverse monogram or symbol. Strikes are frequently irregular, characterized by off-center alignment and variable pressure leading to weaker relief. The flan itself is often imperfectly round due to manual preparation. Grading must account for these inherent production variances, focusing on the preservation of primary design elements and any legends.