| Emittent | Lorsch, Abbey of |
|---|---|
| Jahr | 1088-1101 |
| Typ | Standard circulation coin |
| Nennwert | 1 Denier |
| Währung | Denier |
| Material | Silver |
| Gewicht | 0.93 g |
| Durchmesser | 20 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Kluge Kar#506, Dann Sa#1916 |
| Aversbeschreibung | Three arches, in the middle a bust, crozier to right and left. Below, the legend. |
|---|---|
| Aversschrift | Latin |
| Averslegende | + A[...]VS ABBAS |
| Reversbeschreibung | Cross flanked by four besants, one surmounted by a crescent. |
| Reversschrift | Latin |
| Reverslegende | + [...] CIVA |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1088-1101) - - |
| Numisquare-ID | 1719565870 |
| Zusätzliche Informationen |
Historical Context: This Denier, issued by the Imperial Abbey of Lorsch between 1088 and 1101, dates to a tumultuous period in the Holy Roman Empire. These years were dominated by the Investiture Controversy, a struggle between Emperor Heinrich IV and the Papacy. As an Imperial Abbey, Lorsch held significant coinage rights. The minting of these silver deniers under Abbot Udalrich (1085-1105) underscored the abbey's economic autonomy and its status as a regional power amidst political and ecclesiastical upheaval.
Artistry: The anonymous engraver of this Denier worked within the early Romanesque stylistic traditions prevalent in the Holy Roman Empire. Numismatic art of this era typically features stylized, schematic depictions, not naturalistic portraits. Common designs for Lorsch deniers include a frontal bust of an abbot or Saint Nazarius, the abbey's patron, often paired with a prominent cross or a simplified architectural representation. The aesthetic is characterized by robust, if sometimes crude, imagery, prioritizing function over intricate artistic detail.
Technical/Grading: Struck in silver, this Denier weighs approximately 0.93 grams and measures 20 millimeters, consistent with late 11th-century coinage. Technical strike qualities often vary, with typical medieval characteristics such as irregular flans, variable strike pressure leading to areas of weakness, and frequent off-center strikes. High-points susceptible to wear include central elements of any depicted bust (e.g., nose, forehead) or cross arms. Planchet irregularities and die wear are common, reflecting artisanal production methods.