Catalogus
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| Uitgever | Moscow, Grand principality of |
|---|---|
| Jaar | 1412-1420 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Silver |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | ND (1412-1420) |
| Aanvullende informatie |
Vasily I spent much of his reign navigating an impossible position between the Tatar Golden Horde, to whom Moscow still paid tribute, and the expanding pressure of Lithuania under Vytautas — his own father-in-law. The falconer type on Moscow dengas of this period reflects borrowing from Tatar artistic conventions, a deliberate political gesture toward the Horde at a time when Vasily needed their backing to survive Lithuanian encroachment.
HP II#1568A places this among the more precisely attributed varieties in the Hroschen-type Russian series, though die alignment and legend spacing vary considerably across the emission, making clean attributions genuinely difficult on worn examples.