目录
| 正面描述 | Tower with crenellated top flanked by letters L V, over crossed scepters with lily tips. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
✿ AQVI ✿ LEGIA ✿ (Translation: Aquileia) |
| 背面描述 | Seated figure of Saint Hermagoras, nimbate, raising right hand in benediction and holding cross in left hand |
| 背面文字 | Latin |
| 背面铭文 |
✿ LVDO VICI ✿ PA ✿ (Translation: Louis, Patriarch) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1359-1365) - - |
| Numisquare 编号 | 1787982500 |
| 附加信息 |
Historical Context: This Denaro was issued by Louis I (Ludovico della Torre), Patriarch of Aquileia, during his tenure from 1359 to 1365. The Patriarchate of Aquileia, a powerful temporal and spiritual entity in northeastern Italy, navigated a complex and often turbulent political landscape during the mid-14th century. Louis I’s reign was marked by persistent efforts to assert patriarchal authority against the encroaching influence of regional powers like Venice and Austria, as well as internal feudal lords, making this period crucial for the region's sovereignty and intricate alliances.
Artistry: The artistry of this Denaro reflects the Late Gothic stylistic trends prevalent in northern Italian provincial mints. While the specific engraver remains anonymous, the design would typically feature a prominent cross on one side, symbolizing Christian authority and the Patriarch’s ecclesiastical role. The reverse likely displayed a stylized patriarchal bust or the Aquileian eagle, an enduring symbol of the Patriarchate. These designs, though often executed with a functional simplicity inherent to medieval coinage, were crucial in conveying the issuer's temporal power and spiritual legitimacy.
Technical/Grading: Weighing 0.9 grams and measuring 19 millimeters, this silver (.573) Denaro exhibits technical characteristics common to its era. High points, such as the center of the cross or the highest relief of any effigy, are frequently found weakly struck or flat due to the limitations of manual minting. Irregularly shaped flans and off-center strikes are also common, reflecting variable planchet preparation and inconsistent striking pressure. The billon-like silver alloy further contributed to challenges in achieving full, crisp details, making well-preserved examples with strong strikes particularly desirable.