Catalogus
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| Uitgever | Roman Empire (27 BC - 395 AD) |
|---|---|
| Jaar | 70 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Rome |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Struck in Vespasian's first year as undisputed emperor, this issue belongs to a moment of deliberate political reconstruction. The civil war of 69 AD — the Year of the Four Emperors — had left the Roman state financially gutted and ideologically fractured. Vespasian's earliest coinage leaned heavily on harmony and abundance as themes precisely because neither existed yet; the CONCORDIA messaging was propaganda aimed at a senatorial class still absorbing the shock of Nero's fall and three successive violent successions.
The RPC II attribution places this among issues produced at a eastern mint, likely Antioch or a travelling military workshop, rather than Rome itself — Vespasian did not return to the capital until late 70 AD.