Catalog
| Issuer | Mauretania |
|---|---|
| Year | 11-23 |
| Type | Standard circulation coin |
| Value | 1 Denarius |
| Currency | Denarius (25BC-40AD) |
| Composition | Silver |
| Weight | 3.31 g |
| Diameter | 19 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | CNNM#364, MAA#108, SNG Copenhagen#– |
| Obverse description | Laureate head of Juba right. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
REX IVBA (Translation: King Juba) |
| Reverse description | Head of Cleopatra Selene left. |
| Reverse script | Greek |
| Reverse lettering |
ΒΑΣΙΛΙ ΚΛΕΟΠΑΤΡΑ (Translation: Queen Cleopatra) |
| Edge | |
| Mint | |
| Mintage |
ND (11-23) - - |
| Numisquare ID | 2777339830 |
| Additional information |
Historical Context: This denarius was issued during the joint reign of Juba II and Cleopatra Selene Caesarea over Mauretania, circa 11-23 AD. Juba II, a client king installed by Augustus, was highly cultured. His marriage to Cleopatra Selene, daughter of Mark Antony and Cleopatra VII, was a strategic move to consolidate Roman influence. This coinage represents a unique intersection of Roman imperial power, Hellenistic legacy, and North African sovereignty, symbolizing their dynastic legitimacy.
Artistry: While the engraver remains anonymous, typical for the era, the coin exemplifies a provincial Graeco-Roman stylistic school. Its design likely features portraits of Juba II and Cleopatra Selene, or associated symbols like a crescent moon. The artistic execution often blends Hellenistic traditions, particularly in Cleopatra Selene's depiction, with the pragmatic portraiture favored by Roman imperial art. This synthesis reflects their court's cultural duality, bridging ancient heritage with the prevailing Roman aesthetic.
Technical/Grading: Struck in silver, this denarius weighs 3.31 grams and measures 19 millimeters, consistent with contemporary Roman standards. For grading, key high-points include hair, nose, and chin on portraits, and the highest relief elements of any reverse device. Technical strike quality varies; well-centered strikes with full detail are highly desirable. However, ancient minting often resulted in minor off-centering, planchet irregularities, or areas of strike weakness, particularly on the periphery.