目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Bare-headed, draped bust of Hadrian facing right, with his characteristic short curly hair and full beard rendered in finely chased detail, the drapery visible at the truncation. The emperor's effigy is presented in a vigorous, slightly three-quarter profile typical of Hadrianic portraiture. The encircling Latin legend runs clockwise around the periphery of the flan, bordered by a beaded inner ring. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hadrian's extended tour of the eastern provinces in 128–130 AD generated an enormous outpouring of religious coinage, much of it tied to his personal interest in Greek cult practice and his efforts to present himself as a pious unifier of an empire spanning radically different religious traditions. The PIETATI AVG series belongs to this moment — not to abstract imperial virtue-signaling, but to a specific political project of religious legitimation following his initiation into the Eleusinian Mysteries in 128 AD.
RIC II.3 1113 is one of several Pietas types struck in close sequence; distinguishing between them depends largely on reverse die pairing, a task complicated by the sheer volume of denarii produced during Hadrian's unusually long and well-documented reign.