目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The personification of Pax (Peace) stands in full figure facing left at the centre of the field, rendered in long draped robes falling to her feet. She extends her right hand forward to proffer an olive branch, while her left arm cradles a cornucopia, the classical symbol of abundance. The figure is depicted in a calm, static pose characteristic of early Hadrianic reverse types. The Latin legend P M TR P COS DES II is distributed around the upper periphery, with PAX appearing in the lower field or exergue area, identifying the allegorical personification. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Struck in 117 AD, the year Hadrian acceded following Trajan's death in Cilicia, this issue belongs to the earliest phase of his reign — before his first tribunician renewal, when the legend COS DES II marks him as consul-designate for his second consulship. The PAX type appeared almost immediately as Hadrian signaled a deliberate departure from Trajan's expansionist campaigns, abandoning newly conquered Mesopotamia and pulling Roman forces back to defensible frontiers. It was a politically contentious decision; several of Trajan's senior generals were executed shortly after, allegedly for plotting against the new emperor.