Catálogo
| Emissor | Mauretania |
|---|---|
| Ano | 11-23 |
| Tipo | Standard circulation coin |
| Valor | 1 Denarius |
| Moeda | Denarius (25BC-40AD) |
| Composição | Silver |
| Peso | 3.25 g |
| Diâmetro | 17 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | CNNM#–, MAA#–, SNG Copenhagen#– |
| Descrição do anverso | Diademed and draped bust of Cleopatra right. |
|---|---|
| Escrita do anverso | Greek |
| Legenda do anverso | BAΣIΛΣΣA |
| Descrição do reverso | Lion pouncing to right. |
| Escrita do reverso | Latin |
| Legenda do reverso | IVB |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (11-23) - - |
| ID Numisquare | 2318213720 |
| Informações adicionais |
Historical Context: This silver denarius, issued by Mauretania between 11-23 CE, represents the coinage of Cleopatra Selene II, daughter of Cleopatra VII and Mark Antony, and wife of King Juba II. Her rule brought a unique blend of Hellenistic and Roman influences to the client kingdom of Mauretania. As a powerful queen with direct ties to both Ptolemaic Egypt and the Roman imperial family, her coinage served as a potent symbol of her authority and the kingdom's semi-autonomous status under Roman suzerainty during the early Imperial period.
Artistry: While the specific engraver remains anonymous, the stylistic school of Mauretanian coinage under Selene and Juba II often reflects a sophisticated fusion of Alexandrian Hellenistic and contemporary Roman artistic conventions. The obverse likely features a finely rendered portrait of Cleopatra Selene, typically idealized yet bearing recognizable features, possibly adorned with a diadem or veil. The reverse design would commonly incorporate symbols referencing her Ptolemaic heritage, such as a crescent moon, or local Mauretanian emblems, executed with considerable skill and attention to detail.
Technical/Grading: Struck on a 3.25-gram silver flan measuring 17 millimeters, this denarius generally exhibits good metallurgical quality consistent with Roman standards. High-points for grading typically include the highest parts of the coiffure, diadem, and facial features on the obverse, and prominent elements of the reverse motif. A well-struck example would display full detail from fresh dies, good centering, and minimal flan imperfections, providing a clear and legible representation of its intricate design and legends, if present.