Каталог
| Эмитент | Eravisci |
|---|---|
| Год | 75 BC |
| Тип | Standard circulation coin |
| Номинал | 1 Denarius |
| Валюта | Denarius |
| Состав | Silver |
| Вес | 3.43 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | CCCBM 1#S273 |
| Описание аверса | Diademed head of Venus right. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Griffin right. |
| Письменность реверса | |
| Надписи реверса | IRꜸSCI |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (-75) - around 75 BC - |
| ID Numisquare | 8015198180 |
| Дополнительная информация |
Historical Context: This Denarius, issued by the Eravisci around 75 BC, represents a fascinating intersection of Celtic tribal autonomy and Roman influence in Pannonia. The Eravisci, a significant Celtic people inhabiting the region of modern-day Hungary, engaged in extensive trade and cultural exchange with the burgeoning Roman Republic. While denominated as a 'denarius,' this coin is not an official Roman issue but rather a tribal imitation or adaptation, reflecting the Eravisci's economic sophistication and their adoption of Roman monetary standards for regional commerce, asserting their presence amidst Roman expansion.
Artistry: The engraver of this Eraviscan denarius, though anonymous, worked within a distinct Celtic artistic tradition, heavily influenced by Roman Republican prototypes. While attempting to replicate the iconography of contemporary Roman coinage, the design likely exhibits a characteristic Celtic stylization, often manifesting as a more abstract or simplified rendering of classical figures. Common motifs might include a stylized head on the obverse, perhaps a deity or tribal ancestor, and a dynamic scene on the reverse, such as a horseman or a chariot, interpreted through a native aesthetic.
Technical/Grading: Struck in silver, this coin weighs 3.43 grams, aligning with the general weight standard of contemporary Roman denarii, albeit with potential regional variations. The strike quality typical of Eraviscan issues can be variable, often showing less precise flan preparation and striking pressure compared to official Roman mints. High-points, such as the hair and facial features on the obverse or central elements of the reverse design, may exhibit areas of weakness due to irregular die pressure or wear. Collectors should note the fabric, which often presents a more rustic appearance.