Catálogo
| Emisor | Eravisci |
|---|---|
| Año | 154 BC - 1 BC |
| Tipo | Standard circulation coin |
| Valor | 1 Denarius |
| Moneda | Denarius |
| Composición | Silver |
| Peso | 3.75 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) |
| Descripción del anverso | Stylized head of Roma with winged griffin helmet facing right. X in the field behind. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Sstylized Victoria with whip in biga right. |
| Escritura del reverso | |
| Leyenda del reverso | C TAL ROMA |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (154 BC - 1 BC) - - |
| ID de Numisquare | 7596475390 |
| Información adicional |
Historical Context: This silver Denarius, issued by the Eravisci, a prominent Pannonian Celtic tribe, dates from a period of significant interaction and increasing Roman influence in Central Europe (154 BC - 1 BC). Adopting the Roman denomination and weight standard of 3.75 grams, this coinage reflects the Eravisci's economic autonomy and sophisticated tribal organization. Their minting activities during the late Roman Republic underscore their strategic position and the gradual integration of Celtic economies into the broader Mediterranean monetary system.
Artistry: The design of Eraviscan coinage, including this Denarius, typically showcases a fascinating blend of local Celtic artistry and stylistic influences derived from Roman prototypes. While specific engravers remain anonymous, the work is characteristic of regional Celtic mints, often exhibiting a highly stylized, almost abstract interpretation of classical motifs, such as a laureate head on the obverse and equestrian or mythological figures on the reverse. This distinct artistic school emphasizes dynamic lines and symbolic representation over Roman naturalistic realism.
Technical/Grading: The technical qualities of Eraviscan Denarii vary, often reflecting less standardized minting practices of tribal issues compared to imperial Roman mints. High-points susceptible to wear typically include the highest relief areas of the obverse portrait, such as hair and facial features, and details of any reverse figures. Strikes can range from well-centered to significantly off-flan, with varying degrees of die wear and occasional double striking. The flan itself is frequently irregular in shape and thickness, impacting overall eye appeal and grade.