Catálogo
| Emissor | Eravisci |
|---|---|
| Ano | 62 BC - 1 BC |
| Tipo | Standard circulation coin |
| Valor | 1 Denarius |
| Moeda | Denarius |
| Composição | Silver |
| Peso | 3.08 g |
| Diâmetro | 18 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | CCCBM 1#S247 |
| Descrição do anverso | Head of Juno Sospita right, wearing goat`s skin headdress; branch to left. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Female standing left, feeding serpent; to right, four small pellets around large pellet; pseudo-legend in exergue. |
| Escrita do reverso | |
| Legenda do reverso | |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (62 BC - 1 BC) - - |
| ID Numisquare | 5820560500 |
| Informações adicionais |
Historical Context: This Denarius, issued by the Eravisci tribe from 62 BC to 1 BC, exemplifies the dynamic interplay between Roman influence and local autonomy in Pannonia. As a Celtic group in modern-day Hungary, the Eravisci operated as a Roman client-state during the late Republic and early Imperial periods. Their issuance of a silver Denarius underscores Rome's pervasive economic sway, yet affirms the tribe's right to mint currency for regional trade, reflecting a phase of Romanization.
Artistry: Eraviscan denarii typically blend indigenous Celtic artistry with Roman numismatic conventions. Designs often feature stylized portraits, local deities, or animal motifs, frequently adapted from Roman prototypes but rendered with a distinct Pannonian Celtic aesthetic. This stylistic synthesis reflects cultural transition, reinterpreting Roman realism through an abstract, dynamic local lens, creating designs both familiar in denomination and uniquely tribal.
Technical/Grading: Struck in silver, this coin weighs 3.08 grams and measures 18 millimeters, consistent with local denarius adaptations, often slightly lighter than contemporary Roman issues. Technical strike quality varies, commonly showing minor off-centering, uneven flan preparation, and die wear. High-points susceptible to wear include highest relief areas of portraiture or intricate devices. Its CCCBM 1#S247 reference confirms its recognized status in numismatic scholarship.