Katalog
| İhraççı | Eravisci |
|---|---|
| Yıl | 50 BC - 1 BC |
| Tür | Standard circulation coin |
| Değer | 1 Denarius |
| Para birimi | Denarius |
| Bileşim | Silver |
| Ağırlık | 3.36 g |
| Çap | 18 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | CCCBM 1#I 265 |
| Ön yüz açıklaması | Bearded male head right, wearing torc |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Warrior on horseback with shield galloping left. |
| Arka yüz yazısı | |
| Arka yüz lejandı | ANSALI |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (50 BC - 1 BC) - - |
| Numisquare Kimliği | 5517243310 |
| Ek bilgiler |
Historical Context: This Denarius was issued by the Eravisci, a prominent Celtic tribe in the Pannonian basin (modern Budapest), from 50 BC to 1 BC. This era marks their independent coinage before full Roman integration into Pannonia. The coin reflects the Eravisci's distinct cultural identity amidst increasing Roman influence, adapting Roman prototypes. It served as a medium for trade and a potent symbol of tribal sovereignty during a period of significant geopolitical change.
Artistry: The engraver is anonymous, typical for Celtic coinage of this period. Artistically, it aligns with the Celtic tradition, showcasing a dynamic, abstract interpretation of classical motifs, differing from Roman classicism. While specific design details for CCCBM 1#I 265 are unstated, Eraviscan denarii commonly feature a stylized head (deity or hero) on the obverse and an animal, a horse, on the reverse. These designs are rendered with a vigorous, distinct Celtic flair, reinterpreting Mediterranean antecedents.
Technical/Grading: Struck in silver, this Denarius measures 18 mm and weighs 3.36 gg. High-points, typical for Eraviscan issues, would include the nose, cheekbone, and helmet crest on the obverse, and an animal's musculature or mane on the reverse. Technical strike quality varies; Celtic coinage often exhibits irregular flans, off-centering, and inconsistent striking pressure. This frequently results in areas of weakness or flatness on highest relief points. However, sharply struck, well-centered examples are highly valued for their exceptional detail and preservation.