Catalogue
| Émetteur | Eravisci |
|---|---|
| Année | 100 BC - 1 BC |
| Type | Standard circulation coin |
| Valeur | 1 Denarius |
| Devise | Denarius |
| Composition | Silver |
| Poids | 3.05 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Female head facing left. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Hound running right. |
| Écriture du revers | |
| Légende du revers | RAV |
| Tranche | |
| Atelier | |
| Tirage |
ND (100 BC - 1 BC) - - |
| ID Numisquare | 2136164300 |
| Informations supplémentaires |
Historical Context: This Denarius, issued by the Eravisci tribe between 100 BC and 1 BC, offers a fascinating glimpse into pre-Roman Pannonia. The Eravisci, a significant Celtic people near modern-day Budapest, adopted the Roman monetary standard, evidenced by the coin's denomination and silver content. This period marks their tribal independence amidst increasing interaction with the expanding Roman Republic, culminating in their eventual integration. The coin thus serves as a tangible record of cultural exchange and encroaching Roman influence.
Artistry: While specific design details are unstated, Eraviscan Denarii typically blend indigenous Celtic artistry with Roman iconographic influence. Engravers, though anonymous, worked within a stylistic school interpreting classical motifs through an abstract, curvilinear lens. Common designs might feature stylized portraits, perhaps a local chieftain or reinterpreted Roman deity, on the obverse, complemented by zoomorphic figures or equestrian motifs on the reverse. This fusion reflects the tribe's cultural identity amidst external pressures.
Technical/Grading: Struck in silver at 3.05 grams, this coin adheres remarkably well to the Roman Republican denarius standard, indicating a sophisticated minting process. Key high-points for evaluation typically include hair and facial features on any obverse portrait, and intricate reverse details. Technical strike quality varies, but well-preserved examples often exhibit good centering and a strong, even strike, though minor flan irregularities or die wear are common for tribal issues of this era.