| İhraççı | Moscow, Grand principality of |
|---|---|
| Yıl | 1389-1403 |
| Tür | Standard circulation coin |
| Değer | 11/2 Denga (3⁄2) |
| Para birimi | Rouble (1381-1534) |
| Bileşim | Silver |
| Ağırlık | 1.42 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered (wire) |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | 1403 |
| Referans(lar) | HP II#1415 |
| Ön yüz açıklaması | Leopard to the left, looking backwards. The tail ends in a lily. Two pellets under it. |
|---|---|
| Ön yüz yazısı | Cyrillic |
| Ön yüz lejandı |
КNѦZЬ ВЕЛНКНI ВАСНЛНI ДМИТР (Translation: Grand Prince Vasily Dmitriyevich.) |
| Arka yüz açıklaması | Arabic legend. |
| Arka yüz yazısı | Arabic |
| Arka yüz lejandı |
السلطان الفادل تو قتاهش خان (Translation: The just Sultan Toktamysh Khan.) |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1389-1403) - - |
| Numisquare Kimliği | 1124387230 |
| Ek bilgiler |
Historical Context: This dang, issued under Grand Prince Vasily I Dmitriyevich (1389-1403), reflects Moscow's complex geopolitical position. Following Dmitry Donskoy, Vasily navigated persistent Golden Horde suzerainty. The "Leopard left" motif, echoing Horde iconography, and the reverse's Arabic legend, critically underscore Moscow's pragmatic acknowledgment of Horde authority. Such legends often invoked the reigning Khan, a political necessity even as Moscow consolidated internal control. This coin is a tangible artifact of early 15th-century Russian statehood's transitional nature.
Artistry: The artistry of this dang exemplifies early Muscovite numismatic tradition, interpreting dominant external influences locally. No specific engraver is known. The stylistic school fuses indigenous Russian elements with prevalent Golden Horde motifs. The "Leopard left" is rendered in a stylized, archaic manner, typical of the period and often simplified due to small flan and minting constraints. The Arabic legend, though externally derived, was executed by local die-cutters, sometimes showing epigraphic variations, reflecting the era's cultural syncretism.
Technical/Grading: For optimal grading, several technical aspects are paramount. High-points for the obverse "Leopard left" include distinct rendering of the head, body articulation, and clarity of legs and tail. On the reverse, legibility and completeness of the Arabic legend are crucial, particularly definition of individual characters and any potential tamgha. Excellent centering, ensuring the full design is present, significantly enhances appeal. While flans are often irregular, a well-formed, complete flan with minimal edge loss is desirable. Surface preservation and absence of significant planchet flaws are key.