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Daler of 30 Patards - Ferdinand of Bavaria

Uitgever Prince-Bishopric of Liège
Jaar 1614
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Silver
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Central quartered shield of arms surmounted by a bishop's mitre and flanked by elaborate scrolled cartouche work, displaying the arms of the Prince-Bishopric of Liège. The mintmaster's initial 'B' appears to the right of the shield within the field. The denomination XXX and the date 1614 are placed beneath the shield in the lower field. The circumferential Latin legend runs between inner and outer beaded borders, completing the issuer's full titulature.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde EPIS · ET· PRINC · LEOD · SVPRE · DVX · BVLIONENSIS F B XXX 1614
(Translation: Bishop and Prince of Liege, High Duke of Bouillon 30 1614)
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Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Ferdinand of Bavaria was appointed Prince-Bishop of Liège in 1612 through the direct intervention of his uncle, Duke Maximilian I, who was systematically consolidating Wittelsbach influence across the ecclesiastical territories of the Holy Roman Empire. The 30-patard daler denomination was a deliberate attempt to align Liège's coinage with the large silver thalers circulating across neighboring territories, reflecting the commercial pressure on a small prince-bishopric wedged between the Spanish Netherlands and the German states.

The Dengis 1033A reference distinguishes this as a specific die marriage within what is a scarce type — Ferdinand's early Liège issues see far less representation in major collections than his later, better-documented struck pieces.

MISSCHIEN OOK INTERESSANT