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| 正面描述 | Central device consisting of two crescents arranged back-to-back in a symmetrical, opposed configuration, with a four-pointed star placed centrally in the intervening field between their concave faces. The design is rendered in low relief characteristic of early Central Italian cast bronze currency bars (aes signatum), with the motifs occupying the broad flat face of the irregular rectangular flan. The surface exhibits the typical rough, pitted texture resulting from the casting process, with no inscription or border present. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Reverse face bears the same type as the obverse: two crescents disposed back-to-back in opposed symmetry, with a four-pointed star centered in the field between their concave sides. The design is cast in low relief on the rough, uneven surface of the bronze flan, consistent with the aes signatum tradition of pre-monetary Central Italy. No legend, exergue, or border is present, and the relief is somewhat flatter and less distinct than the obverse, as is common for cast bars of this series. |
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| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Tarquinii's bronze currency bars belong to a transitional moment in central Italian monetary history, when cast bronze by weight was still the dominant medium of exchange across Etruria and Latium. The city itself was in sharp political decline by this period — a former Etruscan powerhouse that had concluded a 40-year truce with Rome in 351 BC, then lost it, and by the time these bars were cast had effectively accepted Roman hegemony following the final Etruscan-Roman settlement of 280 BC.
These aes signatum-class objects were not coins in any strict sense but functioned as standardized bronze ingots within a bullion economy. Haeberlin's foundational study remains the primary reference for attributing bar types to specific issuing centers.