Cruzado Calvario 'Cross with nails' - João III 2nd type, Lisboa mint

発行体 Portugal
年号 1538-1557
種類 Standard circulation coin
額面 1 Cruzado (400)
通貨 Real (1517-1835)
材質 Gold (.9167)
重量 3.54 g
直径 23 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 Gomes#J3 179
表面の説明
表面の文字体系 Latin
表面の銘文 IOANES : III : PORTVGAL
裏面の説明
裏面の文字体系 Latin
裏面の銘文 + IN HOC SIG___NO VINCES
鋳造所
鋳造数 ND (1538-1557) - Gomes# J3 179.01 PORTVGAL -
ND (1538-1557) - Gomes# J3 179.02 PORTVGALE -
ND (1538-1557) - Gomes# J3 179.03 PORTVGALIE -
ND (1538-1557) - Gomes# J3 179.04 PORTVGALI -
ND (1538-1557) - Gomes# J3 179.05 :PORTVGALIE -
ND (1538-1557) - Gomes# J3 179.06 :PORTVGALIE - Crown with no points -
ND (1538-1557) - Gomes# J3 179.07 PORT . ALG -
ND (1538-1557) - Gomes# J3 179.07 PORTVGALIE -
Numisquare ID 1077523590
追加情報

Historical Context: The Cruzado Calvario of João III (1538-1557) marks the zenith of Portuguese imperial power, fueled by global trade and colonial wealth. This era also saw the Inquisition's establishment. João III, "The Pious," fostered a fervent religious climate, reflected in the coin's name "Calvario" and "Cross with nails," referencing Christ's crucifixion. Struck at Lisboa, this gold denomination was vital for exchange, symbolizing Portugal's faith and strength.

Artistry: Specific engraver attribution for Portuguese coinage of this era is unknown; mint personnel remained anonymous. The Cruzado Calvario's style blends late Gothic tradition with nascent Renaissance influences. Numismatic art retained conservative, heraldic, symbolic character. Design prioritizes religious iconography, with the central "Cross with nails" as a powerful devotional motif. Lettering would be robust early Roman majuscule or transitional Gothic script, executed for practical die-cutting.

Technical/Grading: Critical high-points for grading this Cruzado include intricate details of the central "Cross with nails" on the obverse—especially individual nails and quadrant devices—highly susceptible to wear. On the reverse, clarity of small escutcheons (quinas) within the Portuguese shield, definition of castles, and crown details are paramount. Legibility of both obverse and reverse legends (e.g., IOANNES III REX PORTVGALLIE ALGARBIORVM and IN HOC SIGNO VINCES) is crucial, as weak strikes or circulation wear often obscure peripheral elements.

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