Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Copper Karshapana

Uitgever Mauryan Empire
Jaar 340 BC - 181 BC
Type Log in om details te zien
Waarde 1 Karshapana
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Plain, slightly convex reverse field showing a single centrally placed punch mark depicting a floral or geometric rosette-like motif, consisting of multiple circular pellets arranged in a clustered pattern. The surrounding surface is rough and granular, typical of cast or cut copper flans used in Mauryan coinage. No additional symbols, legends, or inscriptions are present. The flan edges are irregular and unfinished, consistent with hand-worked copper planchets of the period.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage ND (340 BC - 181 BC)
Aanvullende informatie

The Mauryan karshapana punched-mark coinage system predates the empire itself — these pieces circulated across the Ganges plain centuries before Chandragupta unified the subcontinent in 322 BC, and the Mauryans simply absorbed and continued a monetary tradition already deeply embedded in trade networks stretching from Taxila to the Bay of Bengal. The copper denomination served the lower end of daily commerce while silver karshapanas handled larger transactions, a two-tier system that functioned without a centralized mint in any modern sense.

Punches were applied by multiple authorities — imperial, regional, and merchant — which is why many surviving pieces carry five or more marks from different hands.

MISSCHIEN OOK INTERESSANT