Catálogo
| Descripción del anverso | Draped bust right wearing tiara and holding spear, flanked by grain ears, within beaded circle. |
|---|---|
| Escritura del anverso | Greek |
| Leyenda del anverso |
ΑΛΛΑ ΑΜΙΔΑC (Translation: Alla Amidas) |
| Descripción del reverso | Draped bust right, wearing headcloth and holding branch, flanked by grain ears, within beaded circle. |
| Escritura del reverso | Greek |
| Leyenda del reverso |
* * * ΒΑCIΛЄΥC (Translation: King) |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (535-550) - - |
| ID de Numisquare | 1892975540 |
| Información adicional |
Historical Context: This Chrysos, issued by Aksum during the reign of Alla Amidas (also known as Armah II) between 535 and 550 CE, represents a crucial period in the kingdom's history. Following the expansive era of Kaleb, Alla Amidas's rule marked a phase of consolidation and continued economic stability. The consistent issuance of gold coinage, like this 1.6-gram piece, underscores Aksum's enduring commercial prowess and its vital role in Red Sea trade networks, maintaining its economic sovereignty in a changing geopolitical landscape.
Artistry: The design of this Aksumite Chrysos reflects the indigenous stylistic school, subtly influenced by contemporary Byzantine numismatics yet distinctly Aksumite. While the specific engraver remains anonymous, the craftsmanship typically showcases a regal bust of Alla Amidas on the obverse, often adorned with a distinctive crown or headcloth, affirming his divine right. The reverse commonly features a prominent Christian cross, symbolizing the kingdom's official religion and serving as a powerful statement of faith and authority.
Technical/Grading: Struck on a 17mm gold flan weighing 1.6 grams, this coin exhibits characteristic Aksumite minting techniques. High-points for wear typically include the ruler's facial features, particularly the nose and chin, and the details of the crown on the obverse, as well as the center and tips of the cross on the reverse. While flan irregularities and minor off-centering are common due to the manual striking process, the dies were generally well-engraved, resulting in clear, albeit sometimes uneven, strikes.