Katalog
| İhraççı | Etenna |
|---|---|
| Yıl | 100 BC - 1 BC |
| Tür | Standard circulation coin |
| Değer | Chalkon (1⁄48) |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 2.4 g |
| Çap | 16 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG Copenhagen#147 , SNG von Aulock#466 , SNG France#1534 |
| Ön yüz açıklaması | Nymph holding upright snake, oenochoe in left field. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Sickle-shaped knife, ET-EN across fields. |
| Arka yüz yazısı | |
| Arka yüz lejandı |
(Translation: Etenna) |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (100 BC - 1 BC) - - |
| Numisquare Kimliği | 8059630970 |
| Ek bilgiler |
Historical Context: This Chalkon from Etenna, struck between 100 BC and 1 BC, hails from a pivotal period in Pisidian history. Etenna, a mountainous city in Anatolia, maintained autonomy amidst the growing Roman Republic's influence. During this late Hellenistic era, local bronze coinage served essential civic and economic functions, facilitating daily transactions. These issues underscore Etenna's continued self-governance and its need for localized currency in a region undergoing political transition.
Artistry: Specific engravers for provincial bronze issues remain anonymous, yet the coin reflects a distinct Hellenistic stylistic school with local interpretations. The obverse typically features a deity or heroic figure, rendered with characteristic Greek physiognomy. The reverse commonly displays civic emblems or local cult objects, serving as a visual testament to Etenna's cultural identity. The overall design prioritizes clear iconographic communication over high artistic refinement, common for small bronzes.
Technical/Grading: This Chalkon, weighing 2.4 grams and measuring 16 millimeters, is typical for the denomination. High-points for wear and strike include the hair and facial features on the obverse, and central elements of the reverse design. Technical strike qualities often vary; bronze flans were frequently irregular, leading to off-center strikes. Die wear can be pronounced on heavily used dies, resulting in softer details. Well-centered examples with strong, even strikes are particularly prized, as referenced by SNG Copenhagen#147, SNG von Aulock#466, and SNG France#1534.