Katalog
| Emittent | Kaunos |
|---|---|
| Jahr | 350 BC - 300 BC |
| Typ | Standard circulation coin |
| Nennwert | Chalkon (1⁄48) |
| Währung | Drachm |
| Material | Bronze |
| Gewicht | 1.24 g |
| Durchmesser | 11 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | BMC Greek#1-2, SNG Keckman Karia#69, SNG Copenhagen#180-181, HN Online#279 |
| Aversbeschreibung | Forepart of a bull right. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Κ / Α on either side of sphinx seated right on groundline. |
| Reversschrift | Greek |
| Reverslegende |
K-A (Translation: Kaunos) |
| Rand | |
| Prägestätte | |
| Auflage |
ND (350 BC - 300 BC) - - |
| Numisquare-ID | 8062790590 |
| Zusätzliche Informationen |
Historical Context: Issued by Kaunos, a vital Carian port, this bronze chalkon dates from 350-300 BC. This era, following Hecatomnid rule and preceding full Hellenistic dominance, saw Kaunos asserting its identity amidst shifting regional powers. Such small denomination coinage was crucial for local commerce, facilitating daily transactions and underscoring the city's economic self-sufficiency during a dynamic geopolitical transition in the eastern Mediterranean.
Artistry: The chalkon's design, characteristic of Late Classical Greek provincial mints, typically presents a laureate head of Apollo on the obverse, rendered with a simplified yet recognizable profile. The reverse commonly features a tripod, a symbol associated with Apollo's cult, sometimes with a Kaunos monogram. Despite the small flan, the anonymous engraver prioritized clear, iconic representation for immediate recognition, a pragmatic approach for small bronze issues intended for widespread circulation.
Technical/Grading: Due to its small size (11mm) and bronze composition, strike quality for this chalkon often varies. High-points prone to wear or weak strike include Apollo's facial features and the tripod's legs. Off-center strikes or areas of flatness are common, frequently obscuring legends or peripheral design elements. A well-centered specimen with full detail on both sides is uncommon. Stable patina is crucial for both aesthetic appeal and long-term numismatic stability.