Chalkon

発行体 Metropolis
年号 400 BC - 300 BC
種類 Standard circulation coin
額面 Chalkon (1⁄48)
通貨 Drachm
材質 Bronze
重量 1.28 g
直径 13.0 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 BCD Thessaly II#480.3, HGC 4#261, BCD Thessaly I#1209, Rogers#407, SNG Copenhagen#122
表面の説明 Laureate head of Apollo right in solid ring
表面の文字体系
表面の銘文
裏面の説明 Dove flying right
裏面の文字体系 Greek
裏面の銘文 MHTPO
(Translation: The Metropolitans)
鋳造所
鋳造数 ND (400 BC - 300 BC) - -
Numisquare ID 8018338860
追加情報

Historical Context: This bronze chalkon was issued by the ancient Thessalian city of Metropolis between 400 and 300 BC, a period spanning the late Classical and early Hellenistic eras. During this turbulent century, Thessaly navigated shifting regional hegemonies, including the growing influence of Macedon under Philip II and Alexander the Great. As a small denomination, the chalkon played a vital role in the daily economic life of Metropolis, reflecting its civic autonomy and commercial activity within the broader Thessalian confederation. Its production underscores the city's need for a stable local currency for everyday transactions.

Artistry: While individual engravers for such small bronze issues are rarely identifiable, the coin's design adheres to the prevailing Classical Greek stylistic traditions of the period, transitioning towards early Hellenistic aesthetics. Typical obverse designs for Thessalian cities often featured prominent deities or local heroes. For Metropolis, a laureate head of Zeus, embodying civic authority, or a local nymph, would be a common motif. The reverse often depicted a horse or its forepart, a symbol deeply ingrained in Thessalian culture and economy, signifying the region's famed cavalry and agricultural wealth.

Technical/Grading: Struck on a relatively small (13mm) and light (1.28g) bronze flan, the technical execution of this chalkon is characteristic of utilitarian fractional coinage. High points on the obverse, such as the hair and facial features of a deity, or the musculature and head of an animal on the reverse, are often the first areas to show wear or weakness in strike. Due to the nature of bronze production and the exigencies of mass striking, examples often exhibit minor off-centering, irregular flan shapes, or areas of slight flatness, which are typical for the series rather than indicative of poor quality.

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