Catalogue
| Émetteur | Atrax |
|---|---|
| Année | 360 BC - 340 BC |
| Type | Standard circulation coin |
| Valeur | Chalkon (1⁄48) |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 1.35 g |
| Diamètre | 10.0 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | BCD Thessaly I#1028, Rogers#161 |
| Description de l’avers | Bearded head of Atrax facing right |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Bull, with head lowered, butting to right |
| Écriture du revers | Greek |
| Légende du revers | ΓΙΩΝ ΑΤΡΑ |
| Tranche | |
| Atelier | |
| Tirage |
ND (360 BC - 340 BC) - - |
| ID Numisquare | 6013384010 |
| Informations supplémentaires |
Historical Context: The Chalkon of Atrax, issued between 360 and 340 BC, dates to a period of significant political flux in Thessaly. Atrax, a city of the Perrhaebian Tetrapolis, maintained its independence amidst the growing influence of Philip II of Macedon and the shifting alliances of Thessalian states. This small bronze denomination underscores the city's economic autonomy and its need for localized currency to facilitate daily commerce, reflecting a stable internal economy despite external pressures.
Artistry: While the engraver remains anonymous, the Chalkon adheres to the classical Greek artistic conventions prevalent in Thessaly. Typically, the obverse features a finely rendered head of a local nymph, often Atrax or Larissa, characterized by delicate features and flowing hair. The reverse commonly depicts a horse, a prominent symbol of Thessaly, often shown standing or prancing, executed with a robust, naturalistic style typical of the regional school.
Technical/Grading: As a small bronze issue, the Chalkon's strike quality can vary. Key high-points for observation include the details of the nymph's hair and facial features, and the horse's mane and musculature. Due to the rapid production of bronze coinage, examples often display minor off-centring or incomplete striking, particularly at the flan edges. The relatively soft bronze metal also means surface wear can be more pronounced than on silver issues, impacting the preservation of fine details.